so this pair was posted at the beginning of august or end of july. i can't remember. thankfully this month has been summer holiday time over at good old Connexion Bizarre, so not much action going on and zero turnover for new reviews. but that is soon set to change! anyway, check it.
Together, producers Jonathan Uliel Saldanha (a.k.a. HHY) and Nyko Esterle (a.k.a. Ripit), having purportedly sequestered themselves in a mountain studio in Portugal, engendered an unforgettable exegesis of post-hip hop norms (if such exist) and pushed the envelope for this genre with startling ferocity. "Landform" won't disappoint.
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Utilizing the requisite field recordings, found sounds, CD/tape/vinyl manipulations, etc., Violet presents listeners with an album both disquieting in its peacefulness and jarring in its white noise banality. It is not so much mentally invasive as vaguely irritating, lacking the essential cohesion necessary in an experimental/drone record and likely far more interesting in terms of creative process than actual listenability.
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yoww it's been awhile. i'm the one to blame for a spate of abnormally lethargic turnarounds, especially on this last review, and it's even already been posted over at Connexion Bizarre for more than a week. stuff happens. but hey, i know these guys so go ahead and check out the goods.
A multifaceted album that confronts listeners with pop tendencies, taking inspiration from the sharp beats, brimming bass and lyrical delivery of indie rock's more electronic leanings, and similarly finds substance with a blended new wave versus old industrial feel. Flatline Skyline overall benefits from its oddly familiar genre-bending forms and passionate articulation.
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marginal note: "Derridean desire for s.th. NEW"
read them at your leisure, for your pleasure. all this wonderful stuff and more available this week on Connexion Bizarre.
Tonikom's sophomore release on Hymen Records, "The Sniper's Veil", is a wholly satisfying exercise in breakbeats. Most everything appearing on Tonikom's latest shows fantastic cohesion, simplicity, musicianship and, it must be said, an intriguingly feminine essence.
"Amesha Spenta" as an album is relentless, even in its ambient passages, and however sedate the bpm might be. It is dense, secretive, and part of a floating realm, suspended between the occidental and oriental with chime-like melodies and shivering tones, supported by spine tingling beat structures.
Just a short update here (that doesn't exactly fit into a twitter post). With the weather turning better (and our trip quickly approaching), I've begun to run once again. As silly as it is, one of the reasons I'd been hesitant was because I couldn't find my iPod nano, so I couldn't record my runs on Nike+ (and thus, what was the point of running, I guess is the logic). Anyway, I never did find my iPod, but I did research a few alternatives.
It is through interactions with Others that people can learn the new vocabulary they need to tell the stories of their lives differently - in other words, to become a different person. Such change is a social process, not an internal, individualistic event whereby some "central information processor" decides which aspects of one's personality to keep and which to discard (58).
a pair of fine releases have been reviewed for your reading pleasure and, one hopes, musical curiosity. at times heavy, playful and psychedelic, albums like these are what keep this business interesting. posted this week on Connexion Bizarre...
With "Area Keloza", French hardcore/gabber artist Lingouf joins the ranks of the Ant-Zen catalogue. Recognized for his unique sound within hardcore and breakcore categories, Lingouf's Vincent Ingouf is a competent visual artist as well, reflected both in the subversively cartoonish and imaginative album artwork, and in a fascinating website full of clever animations and hidden puzzles.
Read more... or try this.
Kibuka is a new project from sound mastermind Dean Dennis, formerly of Clock DVA and, more recently, Nohno. A logical successor to the latter's "Metropolis" (2006), Kibuka's "Dystopia" takes the sumptuous bass and retro-electronic, tech-ambient feel of that pithy release and articulates it further. Kibuka delivers nostalgia with a 21st-century twist, and fans of early IDM and electro-industrial are advised not to let this one slip by.
whoops. forgot to post this one. plus i'm behind on my current reviews. stuff happens.
(an IDM beat record, aka random playlist interlude fodder)
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I tweet (uhm, therefore I am??)...you can follow me as KelarSkye.
I have a Facebook page...I am easy to search.
I am LinkedIn.
I post photos at Flickr.
I have another blog where I am trying to make myself write and churn out some interesting thoughts...to date very little is interesting. But hey, you can see what I am doing sometimes so I suppose that is comforting on some level.
I am rather bored in general right now and I feel that is reflective in everything. That and I feel like I don't have any time, but I am not sure why because I don't know what is taking up my time (I supposed 11+ hours at work or commuting is a time suck).
In one thousand years, how will we be studied? How will the future even know we were here when our cheaply-constructed buildings will long be dust and our intellectual property scattered ones and zeroes in the wind?
We regret to inform you that we are forced to indefinitely suspend the FileFront site operations on March 30, 2009. If you have uploaded files, images or posted blogs, or if you would like to download some of your favorite files, please take this opportunity to download them before March 30th when the site will be suspended. [src]
